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![Louise]( "Louise")
Emile Parisien
Emile Parisien
Louise
VÖ: 28.01.2022
Genre: Beliebte Alben, Saxophone Jazz, French Jazz
Emile Parisien / soprano saxophone
Theo Croker / trumpet
Roberto Negro / piano
Manu Codjia / guitar
Joe Martin / bass
Nasheet Waits / drums
“The best new thing that has happened in European jazz for a long time” (Le Monde), Emile Parisien has formed a top-flight American-European sextet for this album, his seventh as leader or co-leader on ACT. The band will be touring in 2022, the year which also marks the tenth anniversary of Parisien’s first appearance on an ACT album.
The saxophonist developed his strong sense of direction in music remarkably early: he was 10 years old when the news reached his family in Cahors that a new music school would be opening up roughly 200 kilometres away in Marciac. The young-ster told his parents that this was the school he wanted to go to as a boarder...and so, with their support and approval, off he went. And it was through the school and the festival in Marciac that he received mentorship from some of the greats of North American jazz: Wynton Marsalis (who appeared as a guest on the album Sfumato Live), Clark Terry, Bobby Hutcherson, Oscar Peterson…
The fact that three of the musicians in the sextet on "Louise or half of the band is American (Theo Croker (trumpet), Joe Martin (bass), and Nasheet Waits (drums) is important for Parisien: “It was time for me to return to the source that gave me the love for this music in the first place,” he explains. The idea of a ‘return to the source’ is especially true of Parisien’s choice to work alongside Theo Croker, the grandson of trumpeter Doc Cheatham (1905-97). Parisien describes their meeting on the “Jazz Animals” tour in 2018 as having been a ‘super-rencontre’, and a particularly strong musical connection and a personal friendship have developed since those meetings. On “Louise” Parisien has not only ensured that a huge emotional and stylistic range can be heard in Croker’s trumpet-playing, but has also enjoyed matching and intertwining his own melodic voice with Croker’s. Their interaction is something special, and provides some of the many joyous moments on this wide-ranging yet very coherent album. Parisien has also generously given Croker the chance to have last word on the album, with his solemnly evocative composition, “Prayer for Peace”.
Drummer Nasheet Waits is a vivid and energising presence throughout the album, and especially in the third part of “Memento”, the most substantial piece on "Louise", which Parisien dedicates to his mother. “I just love Nasheet’s playing, he’s unbelievable. It was a dream to play with him,” says Parisien who first admired.
Waits’ playing on record, before their paths started to cross at festivals. This is the first time they have worked together. Joe Martin is one of the first-call New York bassists; Parisien knows him from their time as fellow members of Yaron Herman’s quartet.
Manu Codjia and Robert Negro are two of Emile Parisien’s very closest musical colleagues. “We have played in so many contexts, explored so much music together,” says Parisien. Guitarist Codjia was one of the very first musicians whom he met when he first moved to Paris nearly two decades ago. “Manu has an amazing ability to be the ‘glue’ that holds a band together and creates a common sound.” Codjia has contributed the composition "Jungle Jig", an energetic piece in which an ideal balance has been struck between chaos and order. Roberto Negro has also played with Parisien regularly as a duo, in Sfumato and other contexts. “European music, classical, jazz, Roberto plays them all so well! He’s such a complete musician,” says Parisien. Roberto Negro’s composition “Il giorno della civetta” (civet) is elegantly paced and has a wonderfully natural flow.
The title track “Louise” is gentle, spacious and meditative. The title refers to the ‘spider’ sculptures of Louise Bourgeois. These sculptures have mostly been seen in public spaces, and that has caused Parisien to reflect on how confinement during lockdown has deprived us all of the joy of being out in the open. Bourgeois’ sculptures are also very strongly connected to themes of motherhood, and to the metaphors of spinning, weaving, caring and protecting. Parisien’s affection for and valuing of the unconditional love of mothers for their children is the emotional background to this evocative track, with its glorious solos from Theo Croker and Manu Codjia.
Two pieces bring to the fore European musicians from earlier generations who have been decisive influences on Parisien: “Jojo” is a happy reference to Joachim Kühn; the track is unmistakably, intentionally, and deeply ‘Ornette-ish’ in its inspiration. “Madagascar” by Weather Report recalls a time when Parisien played in The Syndicate, the band formed in 2007 to carry on Joe Zawinul’s legacy and to perform his music.
“Louise” is a remarkable album in which ferocious energy contrasts and co-exists happily with a much softer side. Its subtleties and joys emerge the more one listens. As a result, "Louise" gives us the closest insight yet into the character and the creative individuality of one of Europe’s leading jazz musicians.
Theo Croker / trumpet
Roberto Negro / piano
Manu Codjia / guitar
Joe Martin / bass
Nasheet Waits / drums
“The best new thing that has happened in European jazz for a long time” (Le Monde), Emile Parisien has formed a top-flight American-European sextet for this album, his seventh as leader or co-leader on ACT. The band will be touring in 2022, the year which also marks the tenth anniversary of Parisien’s first appearance on an ACT album.
The saxophonist developed his strong sense of direction in music remarkably early: he was 10 years old when the news reached his family in Cahors that a new music school would be opening up roughly 200 kilometres away in Marciac. The young-ster told his parents that this was the school he wanted to go to as a boarder...and so, with their support and approval, off he went. And it was through the school and the festival in Marciac that he received mentorship from some of the greats of North American jazz: Wynton Marsalis (who appeared as a guest on the album Sfumato Live), Clark Terry, Bobby Hutcherson, Oscar Peterson…
The fact that three of the musicians in the sextet on "Louise or half of the band is American (Theo Croker (trumpet), Joe Martin (bass), and Nasheet Waits (drums) is important for Parisien: “It was time for me to return to the source that gave me the love for this music in the first place,” he explains. The idea of a ‘return to the source’ is especially true of Parisien’s choice to work alongside Theo Croker, the grandson of trumpeter Doc Cheatham (1905-97). Parisien describes their meeting on the “Jazz Animals” tour in 2018 as having been a ‘super-rencontre’, and a particularly strong musical connection and a personal friendship have developed since those meetings. On “Louise” Parisien has not only ensured that a huge emotional and stylistic range can be heard in Croker’s trumpet-playing, but has also enjoyed matching and intertwining his own melodic voice with Croker’s. Their interaction is something special, and provides some of the many joyous moments on this wide-ranging yet very coherent album. Parisien has also generously given Croker the chance to have last word on the album, with his solemnly evocative composition, “Prayer for Peace”.
Drummer Nasheet Waits is a vivid and energising presence throughout the album, and especially in the third part of “Memento”, the most substantial piece on "Louise", which Parisien dedicates to his mother. “I just love Nasheet’s playing, he’s unbelievable. It was a dream to play with him,” says Parisien who first admired.
Waits’ playing on record, before their paths started to cross at festivals. This is the first time they have worked together. Joe Martin is one of the first-call New York bassists; Parisien knows him from their time as fellow members of Yaron Herman’s quartet.
Manu Codjia and Robert Negro are two of Emile Parisien’s very closest musical colleagues. “We have played in so many contexts, explored so much music together,” says Parisien. Guitarist Codjia was one of the very first musicians whom he met when he first moved to Paris nearly two decades ago. “Manu has an amazing ability to be the ‘glue’ that holds a band together and creates a common sound.” Codjia has contributed the composition "Jungle Jig", an energetic piece in which an ideal balance has been struck between chaos and order. Roberto Negro has also played with Parisien regularly as a duo, in Sfumato and other contexts. “European music, classical, jazz, Roberto plays them all so well! He’s such a complete musician,” says Parisien. Roberto Negro’s composition “Il giorno della civetta” (civet) is elegantly paced and has a wonderfully natural flow.
The title track “Louise” is gentle, spacious and meditative. The title refers to the ‘spider’ sculptures of Louise Bourgeois. These sculptures have mostly been seen in public spaces, and that has caused Parisien to reflect on how confinement during lockdown has deprived us all of the joy of being out in the open. Bourgeois’ sculptures are also very strongly connected to themes of motherhood, and to the metaphors of spinning, weaving, caring and protecting. Parisien’s affection for and valuing of the unconditional love of mothers for their children is the emotional background to this evocative track, with its glorious solos from Theo Croker and Manu Codjia.
Two pieces bring to the fore European musicians from earlier generations who have been decisive influences on Parisien: “Jojo” is a happy reference to Joachim Kühn; the track is unmistakably, intentionally, and deeply ‘Ornette-ish’ in its inspiration. “Madagascar” by Weather Report recalls a time when Parisien played in The Syndicate, the band formed in 2007 to carry on Joe Zawinul’s legacy and to perform his music.
“Louise” is a remarkable album in which ferocious energy contrasts and co-exists happily with a much softer side. Its subtleties and joys emerge the more one listens. As a result, "Louise" gives us the closest insight yet into the character and the creative individuality of one of Europe’s leading jazz musicians.
Emile Parisien
Vital, curious and progressive, the French scene is setting important milestones for the development of contemporary European jazz. Despite all its openness to musical cultures, genres and currents, it has never lost its grip on the ground.Progress on the feet of its own tradition characterises France's jazz and the saxophonist Emile Parisien is one of its protagonists: a jazz visionary with one foot in the past and his gaze far ahead. This makes him the "best newcomer to European jazz in a long time" (Le Monde), who should be given "undivided attention" (Norddeutscher Rundfunk). Parisien's musical coordinates are broadly defined, from the folkloric tradition of his homeland to the compositional strategies of new music to the melodic and harmonic abstraction of free jazz. The special quality of this broad musical field lies in the naturalness with which it is explored. Nothing in Parisien's music seems calculated or forced. Instead, the genre characteristics flow into one another in his music in an unstrained, light-hearted way and without conceptual protection.The result sounds furious and is great listening fun in many facets: from provocative-anarchic to rousing-swinging. Anyone who has ever experienced the lively Frenchman live on stage knows that he lives jazz with heart and soul. Authenticity and honesty resonate in every note. Awards were not long in coming: Parisien was awarded the two most important jazz prizes in France, the "Prix Django Reinhard 2012" and the "Victoires du Jazz 2014", as Artist of the Year. In Germany, he received the ECHO Jazz 2015 in the category "Best International Ensemble", for the rousing duo with his musical alter ego and close friend, the accordionist Vincent Peirani.
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