Guitar Poetry

The famous compliation "Magic Moments", curated by Siggi LochTracklist: 01 Elevation of Love // Album: e.s.t. 30 Magnus Öström, Dan Berglund, Magnus Lindgren, Joel Lyssarides, Verneri Pohjola, Ulf Wakenius 02 Second Nature // Album: Life Rhythm Wolfgang Haffner03 Raw // Album: raw Nils Landgren Funk Unit 04 The Answer // Album: The Answer Jakob Manz 05 Shots // Album: Bloom Bill Laurance 06 Das Handtuch // Album: Tough Stuff Iiro Rantala 07 She’ll Arrive Between 10 & 11 // Album: Guitar PoetryMikael Máni 08 Terrible Seeds // Album: While You Wait Little North 09 Se Telefonando // Album: Ennio Grégoire Maret, Romain Collin 10 Wonderland // Album: Wonderland Daniel García Trio 11 Fresu // Album: Inner Spirits Jan Lundgren, Yamandu Costa 12 Hands Off // Album: Stealing Moments Viktoria Tolstoy 13 Hidden Prelude // Album: What the Fugue Florian Willeitner 14 Pralin // Album: Let Them Cook Emile Parisien 15 My Brother Rolf // Album: Komeda Joachim Kühn 16 Passacaglia // Album: Passacaglia Adam Bałdych, Leszek Możdżer 17 Linden Tree Rag // Album: Rag Bag Bernd Lhotzky 18 Zafeirious Solo // Album: Arcs & Rivers Joel Lyssarides, Georgios Prokopiou

Mikael Máni - Guitar PoetryCD / Vinyl / digital Mikael Máni Ásmundsson guitar "I love the music of Joni Mitchell and Bob Dylan," says Icelandic guitarist Mikael Máni. "I think that's the main reason why I often write songs for the guitar that could just as easily be sung." Those words bring us to the core of what "Guitar Poetry", Máni’s debut release on ACT, is all about. This album introduces an instrumentalist who brings passion and expertise not just to his refined and subtle compositions but also to his vivid and fluent improvisation, and who combines all this with a highly skilled singer-songwriter’s clarity and directness. His multilayered music functions well, and on many levels. Mikáel Mani calls it a mixture of jazz, rock and impressionism. Yet he never loses the idea of being both accessible and sophisticated. He doesn’t just stimulate listeners intellectually, he also knows how to cut straight through to the emotions.From the very first song of "Guitar Poetry", "She'll Arrive Between 10 & 11", Mani gives a pointer to the expressive range which listeners can expect throughout the album. The guitarist makes a strong initial impression with the warmth of his acoustic sound: fine, brilliant, spacious. From this, a simple folkloristic melody emerges, a few sparse harmonies - a musical idyll. And then, in the middle of the song, everything turns into noise, becomes gloomy, threatening, almost despairing... and finally finds reconciliation by returning to the calm of the original theme. Mikael Máni’s mastery of presenting contrasts and of springing musical surprises is exceptional for one so young. And he is also a guitarist with his very own signature style, one which does not lend itself to categorisation within the usual spectrum of the instrument in jazz. His jazz leanings are more evident in his approach to playing than in any obvious affiliation with the genre or the canon. In fact, folk-derived techniques such as finger-picking, or echoes of the blues, Americana and Nordic songs and a unique, cinematic quality are more in evidence. But perhaps most importantly, whereas Máni plays purely instrumentally, his music - always and unmistakably - sings. Here is an artist for whom the shallowness of competitive virtuosity or instrumental vanity are completely alien. Mikael Máni lets his music flow and creates intensity, sometimes through calm and relaxation, sometimes through energy and small outbursts that can explode briefly from any tonality into noise, only to either find their way back or discover completely new ways out. And sometimes you imagine that there must surely be two or more guitarists playing, such is his skill in creating parallel layers of sound. But, with the exception of two numbers recorded in multi-track, it is always and only Mikael solo: he has the talent to play harmonies, melodies and fragments that then live on and grow in the listener's mind as essential parts of the fascinating tapestry which he weaves. The concept of storytelling in music may have been desperately over-worked and become a cliché, but that, quite simply, is what Máni does: all the songs on "Guitar Poetry" tell stories, open up spaces and land-scapes, draw pictures. And they are the reflection of a guitarist who is as unconventional as he is musically approachable, an extroverted introvert whose whole way of being is to assert the primacy of expression and emotion.Credits:Produced by  Mikael Máni Ásmundsson Cover art "untitled" von Guðjón Ketilsson