Kadri Voorand

Various Artists - Fantastische FrauenCD / digital Julia Hülsmann & Rebekka Bakken, Anna Gréta, Solveig Slettahjell, Céline Bonacina, Ida Sand, Cæcilie Norby, Viktoria Tolstoy, Johanna Summer, Rigmor Gustafsson, Terri Lyne Carrington, Rita Marcotulli, Nesrine, Youn Sun Nah, Janne Mark, Kadri Voorand, Laila Biali Music is feminine. And it always has been, whether in Italian, German and French. Viva la musica. Die Musik. La musique. And in jazz? During the 20th century female musicians lives were lived in the shadows. Lil Hardin, for example, wrote compositions like “Struttin‘ With Some Barbecue”, and yet while her husband Louis Armstrong was becoming famous, she was hardly noticed at all. She was, as she described it later, “standing at the bottom of the ladder holding it and watching him climb.” Since then, however, things have moved on. Progress may be slow, but things are definitely changing. In jazz, today the female element has gone way beyond just the “girl singer with a band”. It is not only quite normal for a woman to be playing electric guitar, bass, drums or trumpet, we now have musicians such as Terri Lyne Carrington serving as important role models. “Fantastische Frauen” presents a selection of the strong female voices who have either forged their careers in partnership with ACT, or at least been with the label for part of their journey. Some came to the label at the beginning of their careers; others were already more established: Berlin-based pianist/composer Julia Hülsmann released three albums for ACT in the early 2000s, showing a refined sensitivity for language and a flawless instinct for setting poetry to music. “Same Girl” is her arrangement of the Randy Newman song, with Norwegian singer Rebekka Bakken as a kindred spirit on the album “Scattering Poems”.  Scandinavian singers have always been a major presence on ACT, including some stalwarts who have been with the label for several years: Viktoria Tolstoy, from Sweden, has eight albums to her name on ACT, of which “Shining On You” was the first. It features compositions by probably the most important Swedish jazz musician of the last 20 years, pianist Esbjörn Svensson. Icelandic pianist/singer Anna Gréta is a new member of the ACT family. “Nightjar in the Northern Sky” is simple, direct and con-cise. Solveig Slettahjell (Norway), Ida Sand (Sweden, both singer and pianist), Cæcilie Norby (Denmark) and Rigmor Gustafsson (Sweden) are important and well-established figures on the scene, and are all much more than “mere” singers: they have been writing and arranging their own music for many years, and also penning the lyrics and leading their own bands.  Janne Mark from Denmark occupies a very special place: she has found her own fascinating path between folk music, church hymns and jazz. Kadri Voorand from Estonia is also much more than just a singer. Alongside her mind-boggling vocal skills and her clever use of effects devices, the fact of quite how good a pianist she is – and also lyricist and composer – runs the risk of being overlooked. “I’m Not in Love” is both charming and unsett-ling, with just the right mixture of each. Youn Sun Nah, from South Korea, brought her love of French chanson and jazz to Europe, and has made some terrific recordings: “Momento Magico” with guitarist Ulf Wakenius stuns with its virtuosity, leaving the listener breathless. Nesrine creates magical worlds of sound with no boundaries: Cello and voice with Arabic roots and Mediterranean soul. Canadian vocalist/pianist Laila Biali combines everything which is good about singer-songwriting. Céline Bonacina takes on an unusual role; there are still not many well-known female baritone saxophonists, and even fewer who lead their own interesting bands. This Frenchwoman absolutely does her own thing... ...something which can also be said about pianist Johanna Summer. She chose Robert Schumann’s “Kinderszenen” (scenes from childhood) and “Album für die Jugend” (album for the young) as the starting point for free improvisations. Her album has had a major impact.  For Italian pianist Rita Marcotulli, the power of melody is the driving force – her album with the accordionist Luciano Biondini has a dreamlike quality. Today US-American Terri Lyne Carrington is one of the leading figures on the drum set and has played with all of the greats of jazz. She shared the stage with Wayne Shorter, composer of the classic “Witch Hunt” when she was still in her twenties. “Fantastische Frauen” is a very apt title for this album because music is female and so, increasingly, is jazz. The fact that this is now recognised and appreciated has been a major step forward. At some point in the future it will only ever be about the music, irrespective of whether it has been created or performed by male, female or diverse artists. And that will be the next big step forward.Credits: Curated by Siggi Loch Mastered by Klaus Scheuermann

Various Artists - Magic Moments 13CD / digitalBest Jazzinfotainment: 16 tracks, 75 minutes of music in the Spirit of Jazz, including Nils Landgren & Jan Lundgren, Wolfgang Haffner,Ulf Wakenius, Solveig Slettahjell, Grégoire Maret, Vincent Peirani & Emile Parisien, Kadri Voorand, Viktoria Tolstoy, Jazzrausch Bigband.Credits: Compilation by Siggi Loch Mastered by Klaus Scheuermann

Kadri Voorand in Duo with Mihkel MälgandCD / Vinyl / digital Kadri Voorand vocals, piano, chromatic kalimba, violin, glockenspiel & electronic effects Mihkel Mälgand double bass, bass guitar, bass drum, cello & percussion Guest: NOËP vocals on What If I Did Kill You The small Baltic nation of Estonia is internationally renowned for its singing traditions. Though originally a defiant celebration of its own identity in the face of past adversity, it’s also a reflec-tion of a country that’s been looking to the future with a new freewheeling assertiveness. A boldly unique, roots-based yet forward-thinking approach is exactly what comes to mind when listening to one of the country’s brightest vocal stars, the charismatic 33-year-old sin-ger, composer, pianist and improviser Kadri Voorand. On In Duo with Mihkel Mälgand Kadri engages passionately with a wide-screen musical soundscape that encompasses anything from acoustic folk-pop, classical, R&B through to jazz vocal and wor-dless improv.Kadri has already received much acclaim in her home country, including recent Estonian Music awards for both Best Female Artist and Jazz Album as well as accolades in a Producer role, something that points to her sensibility towards contemporary vocal aesthetics, in particular her subtle use of electronic effects, looping and layering. The new recording highlights all her attri-butes as a singersongwriter: a vocalist who’s highly expressive, energetic, imaginative, and tonally/rhythmically supple, and a lyricist (all songs are in English aside from two in her native language) with a transparent, mischievously witty and original style. From a very early age Kadri was singing in her mother’s folk music ensemble and learning classical piano, going on later to study jazz at academies in both Tallinn and Stockholm. But on In Duo with Mihkel Mälgand, Kadri never once leans on her formi-dable technique, though the immaculate quality and virtuosity of her vocal is undeniable. Instead she sustains a delicate balance between resonating with a wide audience and opening up the imagination of her listeners. Her diversity is reflected in her background working with artists such as Estonian composer Tõnu Kõrvits on his album Mirror, starring in a capella vocal sextet Estonian Voices as well as writing compositions for film, chamber choir and contemporary classical orchestra. The choice of album title signifies a long, fertile artistic relationship with compatriot and award-winning bassist Mihkel Mälgand - who’s also an arranger and occasional co-writer here – that has seen the duo appear at many International jazz festivals. Kadri’s vocal is one-of-a-kind but listen closely and you hear the influence of experimental Nordic vocalist Sidsel Endresen through to Joni Mitchell as well as the theatrical art-pop of Kate Bush, the latter especially noticeable on ‘What If I Did Kill You’ a song that boasts a humorously acerbic lyric sung alongside homegrown guest singer NOËP. ‘I’m Not In Love’ is a playfully subversive, alternative take on the feeling of being in love, or perhaps not. While an effervescent cover of Michael Jackson’s ‘They Don’t Really Care About Us’ reveals a singer also partial to a bit of earthy, soulful R&B. ‘Like Yoko And John’ embraces pop culture while at the same time showcasing her highly syncopated, infectious scat vocals while the acoustic strains of ‘I Drove A 1,000 Miles’ recall the sublime yearning vocal of the late singer-songwriter Jeff Buckley in full flight. ‘I Must Stop Eating Chocola-te’ is a droll parody of a retro R&B number while closing ballad ‘I Stopped Time’ follows its own unique path while echoing Joni Mitchell’s phraseology with Mihkel Mälgand’s supportive bass occasionally reminiscent of Jaco Pastorius. On In Duo with Mihkel Mälgand Kadri Voorand gives her all in pursuit of an authentic 21st century vocal art. Credits: Recorded by Kadri Voorand and Kaur Kenk in Kasispea (Estonia), February 14 - April 30, 2019 Mixed by Miikka Huttunen Mastered by Svante Forsbäck Lacquer Disc Cutting by Sidney Claire Meyer at Emil Berliner Studios Berlin Produced by Kadri Voorand Co-produced by Mihkel Mälgand